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Marriage is Unethical |
The ghadar editorial poses two questions: what is the
connection between the burgeoning of marriage and the
widening reach of US imperialism? Secondly, why has the desi left, with all its anti-imperialist
politics and coalition building strategies, remained silent
on the issue of marriage?
Click here to read the editorial |
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Global Indian/Nubile Indian: Transnational Circuits of Desire and Conjugality |
The past few years have seen an onslaught of the celebration of Indians on
the global scene, Indians who seem endlessly and perfectly, shaped, clad and
versed. Who are the consumers of these images? What desires do these images
represent and encode for them, and what hidden assumptions and forms of
common sense support the emergence of this gorgeous, infallible and entirely
unrealisable global Indian subject, and what does globalization have to do
with it? Most crucially, what is the reality that this celebratory and
self-congratulatory cosmopolitanism masks? Shefali Chandra and Saadia Toor offer some answers through the seemingly incongruous juxtaposition of two
films - Gurinder Chaddha’s ‘Bride and Prejudice’, and Ali Kazimi’s ‘Runaway
Grooms'
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Holy Matrimony |
Money, patriarchy and religion come together in an unholy triumvirate in India's celebration of marriage. The marriage-industrial complex, anchored in the country's already oppressive cultural and religious core, is strengthening and complementing their existing hetronormative vice on society. Why is this oppressive institution gaining increasing currency even as it is obviously used for the criminalization and marginalization of non-normative sexualities (and indeed women themselves)? Shivali Tukdeo deconstructs the insidious and symbiotic relationship of institutionalized marriage and how it permeates the Indian bourgeois and ruling classes.
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